The photographic experience, 1839-1914 : images and attitudes /
Eighteen thirty-nine was the miraculous year in which the two principal inventors of photography - Daguerre in France and Fox Talbot in Great Britain - made their discoveries known to an eager and receptive public. News of the process flashed around the globe, and in no time, enthusiastic pioneers f...
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Main Authors: | , |
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Format: | Book |
Language: | English |
Published: |
University Park, Pa. :
Pennsylvania State University Press,
[1994]
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Table of Contents:
- Introduction
- A new invention
- A new word
- Photographist in charge
- The iconographer
- Master of make-believe
- The magician
- The memory-maker
- Sidelights
- Culinary dimensions
- Fashion in focus
- Fictions and fancies
- Musical moments
- Mixed media
- The engraver
- The retoucher
- The overpainter
- Other links
- Setting and frame
- Cases of character
- Presentation, private and public
- Under cover
- Family milestones
- For love's sake
- Landmarks
- 'Til death do us part
- The heliographer's arms
- Age-old words and symbols
- Foreign approaches
- Cosmic purity and hi-tech
- Double-dipping
- Playing the public
- Securing the shadow
- Advertising and publicity
- Catching the eye
- The cult of celebrity
- Humor
- Magic, old and new
- Contraptions, infernal
- Vanity, oh vanity
- Harebrained genius and flirtatious fringe
- The worm turns
- Camera in court
- Opening skirmishes
- Forensic focus
- The impressionable eye
- Plagiarism, pretensions, and pretense
- Photographs as corpora delicti and evidence
- The photographically illustrated book
- The versatile medium
- Books of distinction ; examples of choice
- Politics on a plate
- Business as usual
- The establishment
- The challengers
- Shades of opinion
- The cutting edge
- The camera at war
- The military response
- Civilian cameramen
- Portraits
- Views
- On the sidelines
- The molding of minds
- Photography and travel
- Rail, steam, and lens
- Pleasing prospects
- The photographer in place
- The peripatetic camera
- The amateur's adventures
- Armchair travels
- The trivialization of travel
- Photography in the writer's world
- First impressions
- Second thoughts
- Before and behind the camera
- In the study.