Tony Reese papers

The Tony Reese papers are housed in eleven boxes and span the bulk of Reese's career as a professor entertainer. While the collection dates from the 1950s to 2000s, it's centered on the earlier part of Reese’s career from the late 1950s to the late 1960s and his work with Pepper Davis as t...

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Bibliographic Details
Main Author: Reese, Tony 1919-2013. (Creator)
Contributors: Reese, Francine. (Donor (dnr))
Collection:Tony Reese Papers
Collection Number:3719
Format: Manuscript
Language:English
Subjects and Genres:
Online Access:Link to finding aid
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Physical Description: 4.1 Linear feet ; 11 boxes, 1 flat file
Access: The collection is open for research.
Summary: The Tony Reese papers are housed in eleven boxes and span the bulk of Reese's career as a professor entertainer. While the collection dates from the 1950s to 2000s, it's centered on the earlier part of Reese’s career from the late 1950s to the late 1960s and his work with Pepper Davis as the comedy duo Davis and Reese. Comprising the bulk of the collection are files on comedy routines, which contain scattered correspondence and musical arrangements for songs used during their acts. There are also programs and advertisements for Davis and Reese’s shows, as well as some photographs of the duo and of Reese himself. Save for biographical items and obituaries, there are no papers in the collection that significantly document Reese’s personal life. The collection has been divided into two series. The first series, Comedy routines and personal papers (Boxes 1-4 & 11 and Flat File 1), contains professional biographies on Davis and Reese used for press releases, press photographs of the duo in action as well as single and group headshots, and a group of telegrams Reese received when he was on the road during the 1950s and 1960s (Box 1, Folders 1-4). Making up most of this series are comedy routines, which are subdivided into those written by the duo (Box 1, Folders 8-14) and those written by others for them (Box 2, Folders 1-29). Each folder is identified by the titles of the skits it contains. The scripts are usually typed, though some are handwritten, and many contain annotations, corrections, and other edits. Some of the folders of routines written by other authors contain letters to Reese. Please be advised that a number of the comedy routines contain mature themes that some readers may find offensive, including sexual innuendo, drug references, and stereotypical portrayals of women and various ethnic groups. Comprising the remainder of Box 2 and Boxes 3 and 4 are chronologically arranged folders that house programs and advertisements featuring David and Reese. These date from the 1950s to the 1990s. Posters of a similar nature can be found in Flat File 1. At the end of the series is a box (Box 11) containing audio-visual items that include comedy and song recordings, as well as two movies on DVD that featured Pepper and Reese: The George Raft Story (1961) and Where the Boys Meet the Girls (1965) The second series, Musical arrangements (Boxes 5-10), is comprised of handwritten or printed music that was either sung by Reese and/or Davis or used to accompany their performances. Scattered among the arrangements are a few published pieces of music. This portion of the collection is arranged alphabetically by song title.
Tony Reese, born Attilio Resci in Foggia, Italy in 1919, was a popular performer both in Philadelphia and nationally. He was raised in South Philadelphia, attended South Philadelphia High School, and served with the U. S. Army during World War II. He developed a partnership and comedy act with Pepper Davis, whose real name was David Asner, and the duo performed across the United States and Canada. Together they appeared on the Ed Sullivan Show and other televised variety shows of the mid 20th century. They also performed overseas and gave a command performance for Prince Ranier and Princess Grace of Monaco. Reese died in Cherry Hill, New Jersey, in 2013. This collection of Reese's papers mostly covers his career as a performer and includes numerous transcripts of comedy routines, clippings and programs, and musical arrangements. There are also a few personal papers including his obituary, biographical material, photographs, and audio-visual items.