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Fenton and Remak families papers
This collection relates primarily to two local Philadelphia families, the Fentons and the Remaks, that were joined with the 1885 marriage of Thomas H. Fenton and Lizzie Remak. Several family members are highlighted in the collection, in particular Lizzie's mother, Susan M. Scott Remak, and Tho...
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| Main Authors: | , |
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| Collection: | Fenton and Remak Families Papers |
| Collection Number: | 3148 |
| Format: | Manuscript |
| Language: | English |
| Subjects and Genres: | |
| Online Access: | Link to finding aid |
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| Physical Description: |
4.5 Linear feet ; 14 boxes, 6 volumes, 2 flat files |
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| Access: |
The collection is open for research. |
| Summary: |
This collection relates primarily to two local Philadelphia families, the Fentons and the Remaks, that were joined with the 1885 marriage of Thomas H. Fenton and Lizzie Remak. Several family members are highlighted in the collection, in particular Lizzie's mother, Susan M. Scott Remak, and Thomas and Lizzie's daughters, Doris and Beatrice Fenton. The collection is rich in genealogical source material and family documents, correspondence, and photographs. There are also scattered clippings, printed matter, glass slides and negatives, and several volumes. The Fenton and Remak family papers date from about the 1820s to the 1970s and include photographs, correspondence, genealogical records, and scrapbooks. On the Fenton side, Doris and Beatrice Fenton's papers make up the bulk of the materials; while on the Remak side, the bulk of the papers pertain to Susan M. Scott Remak's ancestry. The collection is roughly arranged into fourteen boxes and papers generally remain in the groups in which they were found. The vast majority of loose photographs have been sleeved and placed in archival binders. Two cased photographs, three glass slides, and two glass negatives were moved to the end of the collection and placed in custom-made boxes. The photographs are generally in good condition but are mostly unlabeled. There is also one flat file of oversized documents, as well as six volumes. Boxes 1 and 2 contain papers of the Remak family, among which are the earliest documents the collection. In Box 1 there are two folders of papers from Freeman Scott, Susan Remak's father, that consist of his poetry and a few letters. Notably, several of his poems are titled "Accrostick" (acrostic), which denotes a type of poem in which the first letter of each line, when separated from the poem, spells out an individual's name or phrase. Following Freeman's papers are two folders of papers from Susan's husband, Gustavus Remak, the bulk of which are letters he wrote to Susan from just before and after their marriage in 1856. Scattered among this correspondence are a few business letters and papers pertaining to the Centennial Exhibition of 1876. Some of Susan's own papers, mostly her poetry, follow the folders of her husband's papers. Most of the poems are handwritten, but there are several newspaper clippings that show her published poetry, as well as two commemorative poems printed on silk. Rounding out the Remak family papers, at the end of Box 1 and in Box 2, are Susan Remak's notes on her family's history that she made in preparation for her application to the Daughters of the American Revolution. The bulk of her research, some of which she conducted at several Philadelphia institutions, was devoted primarily to her Scott family ancestors and include notes on Freeman Scott, his father Isaac Scott, and Isaac's father-in-law, Lieutenant Samuel Strickland. Boxes 3, 4, and 5 contain papers of the Fenton family. Thomas Hanover Fenton graduated with a medical degree from the University of Pennsylvania and worked as an ophthalmologist in Philadelphia. There is one folder of his papers in Box 3 that consist of lecture tickets and a few school documents, letters he wrote to his daughter Doris, and his passport from 1885. Following Thomas's papers is a folder of Lizzie Remak Fenton's papers, consisting of four pieces of correspondence and a personal diary from 1883. Thomas and Lizzie Fenton had two daughters, Doris and Beatrice, and one son, Powell. Doris was the oldest child, and her correspondence, in Boxes 3 and 4, makes up the bulk of the Fenton family papers. Doris's letters cover much of her adult life, from her time at Wellesley College during the 1910s to her tenure as a professor of English at Beaver College for Women (now Arcadia University) from the 1930s to the 1960s. Beyond miscellaneous correspondence and a significant accumulation of invitations, there are large groups of letters from Doris's mother (Box 3, Folder 5), a friend who signed her letters "Maisie" or "Theta" (Box 3, Folder 8), and a former professor named William N. Bates (Box 4, Folder 5). At only four folders (in Box 5), Beatrice's Fenton's papers cover much less ground and are more scattered than those of her sister. In addition to clippings, an account book, a pen set, a few sketches, and a couple of family history documents, the majority of her papers concern donations she made to the Philadelphia Museum of Art in the late 1970s. Rounding out the manuscripts in this collection is a folder of Fenton family genealogical records (Box 5, Folder 5), two folders of miscellaneous printed matter, images, and documents, and a folder pertaining to the Martinet family history (Box 5, Folder 7). Beatrice Fenton was close friends with Baltimore artist Marjorie Martinet. While it is not known who compiled the documents, at some point they probably came into Beatrice's possession, given her freindship with Marjorie. The rest of the collection consists of photographs, photograph albums, other volumes, and a flat file. Box 6 contains small photograph albums, while Box 7 contains three folders of photographs of Beatrice Fenton's sculptural works, as well as oversized family photographs. Boxes 8 through 10 are archival photograph albums that contain a compendium of loose (now sleeved) photographs that significantly reflect the lives of family members from about the mid 1800s to the early 1900s. Making up the volumes are two more photograph albums, Susan Remak's poetry book, a mostly empty scrapbook that contains a few clippings on Queen Victoria of England, and two Wellesley College yearbooks from 1912 and 1913. In the flat file is a diploma for an honorary degree received by Beatrice Fenton from Moore College in 1956 and Thomas Fenton's and Lizzie Remak's marriage certificate from 1885. |